On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover's arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say she hadn't shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
[...] this girl [...] shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
No...
NO.
Have you ever been overwhelmed, stricken, or even paralysed by helplessness whilst reading someone else's imagined story?
Knowing full well you can't change anything. You can't alter the course of fictional history. You can't do anything but watch, powerless and barren behind an impenetrable wall cast in such wounding clarity.
And you can't look away.
As much as you may want to.
And you can't interfere.
As much as you may need to.
Like in a dream.
Like in a nightmare.
Have you ever felt that?
Helpless, and trapped, and enrapt?
You will be invited into a world that feels almost like a memory and lured into playing an impotent god.
This isn't your story, you aren't part of it. You didn't didn't write it, you didn't live it.
You're nothing.
But you watch, you oversee, and you despair because before the story takes its first tentative breath, you're entrusted with the ending.
The horrible, unjust, inescapable conclusion to a story you don't yet know will tear you to pieces.
That will make you laugh, and root for the underdog, and believe, without shame or incredulity, in inconceivable love.
You don't know these things yet.
But you do know how it ends.
And you should be prepared.
But you never will be.
How could you be?
No one is, for that final untethering.
A dream I've had. You've had. Others will have.
It's familiar and alien and clear 'til the point of waking.
When you turn that final page and cannot fathom how it was all so real, or how a life could unfold in a single night of dreaming.
How the further you wake, the more unclear the life you lived mere seconds ago becomes.
How a girl born of blue and Lepidoptera could hold such dominion over other people's dreams and yet be so trapped.
Sarai was seventeen years old, a goddess and a girl. Half her blood was human, but it counted for nothing. She was blue. She was godspawn. She was anathema. She was young. She was lovely. She was afraid. She had russet hair and a slender neck, and wore a robe that belonged to the goddess of despair. It was too long, and trailed behind her, its hem worn to a sheen from dragging over the floor, back and forth. Pacing this terrace, Sarai might have walked as far as the moon and back.
Except, of course, that if she could walk to the moon, she wouldn't come back.
How a scholar of fairy tales with seemingly no power other than his innate goodness and unrivalled imagination can unknowingly possess the capacity to change everything.
It was midsummer, midmorning, in the full light of day. There were no books to hide behind, and no shadows―only Lazlo Strange in his worn gray robes, with his nose that had been broken by fairy tales, looking like the hero of no story ever told.
Or, no story yet told.
How their union is both the beginning and the end.
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It's simple, really:
Because in dreams there are no rules.
There's only the unknown inside.
Those hazy unrealities we felt so acutely and couldn't hold onto, no matter how hard we tried.
...they were just two people sitting at a table regarding each other shyly through a wisp of tea steam.
Inside a dream.
Within a lost city.
In the shadow of an angel.
At the brink of calamity.
Normally, whilst reading, I'm not solely experiencing the story as it unfolds. At the back of mind I'll be forming thoughts and emotions to either put down in a review or to help fully accept what the story means to me when it's over.
There was no reflection, no internal ponderings, there was only the story, and there was only forward.
As in a dream, you don't look back; you can't look back.
Moved by some invisible Virgil, both unstoppable and welcomed.
I didn't, couldn't think while I was reading this book.
I only felt.
But when I finished?
When I finished there was a hum of
Dylan Thomas playing at the forefront of my mind:
A stranger has come
To share my room in the house not right in the head,
A girl mad as birds
Bolting the night of the door with her arm her plume.
Strait in the mazed bed
She deludes the heaven-proof house with entering clouds
Yet she deludes with walking the nightmarish room,
At large as the dead,
Or rides the imagined oceans of the male wards.
She has come possessed
Who admits the delusive light through the bouncing wall,
Possessed by the skies
She sleeps in the narrow trough yet she walks the dust
Yet raves at her will
On the madhouse boards worn thin by my walking tears.
And taken by light in her arms at long and dear last
I may without fail
Suffer the first vision that set fire to the stars.
Sarai, our soft, lapis goddess is that girl of nightmare and madness.
Lazlo, the dream-room she inhabits. The safety she finds refuge in.
The heaven-proof house her cage.
I can't help but see them both in Dylan Thomas' words.
And what a fine synergy to find with a poem I've loved for years, and a book that's softly crept its way into my heart.
An unexpected somnambulism.
Ethereal and brutal.
A dream of blue-skinned goddesses and noses broken by fairy tales.
And the destruction that trails them.
"The Muse of Nightmares," he said. "It sounds like a poem."
A poem? Sarai detected nothing mocking in his voice, but she had to see his face to confirm it, which meant sitting up and breaking the embrace. Regretfully, she did. She saw no mockery, but only . . . witchlight, still witchlight, and she wanted to live in it forever.
She asked in a hesitant whisper, "Do you still think I'm a . . . singularly unhorrible demon?"
"No," he said, smiling. "I think you're a fairy tale. I think you're magical, and brave, and exquisite. And . . ." His voice grew bashful. Only in a dream could he be so bold and speak such words. "I hope you'll let me be in your story."
Sometimes a book is better read than described.
I could tell you of the world it inhabits, with its musty, collegiate libraries, uncrossable deserts laced with chitinous deathtraps slumbering in wait of a good meal.
Or of lost-named cities oppressed by metallic, lofty divinities, burnished in blood and avengement.
I could wax lyrical over Laini Taylor's prose which embraces the poetical yet somehow doesn't venture into floridness. It instead begs the question: why aren't all thoughts expressed the way Taylor expresses them?
It was time. She closed her eyes. She closed them tight. Her gift was ugly. She never let anyone see her call it forth. [...] She took a deep breath. [...] And screamed.
It was clearly a scream―the rictus tension in her face, head thrust forward, throat stretched taut―but no sound came out. Sarai didn't scream sound. She screamed something else. It issued forth: a soft, boiling darkness.
[...]
Streaming forth into the night, the darkness fractured into a hundred fluttering bits like windblown scraps of velvet. A hundred smithereens of darkness, they broke apart and re-formed and siphoned themselves into a little typhoon that swept down toward the rooftops of Weep, whirling and wheeling on soft twilight wings.
Sarai screamed moths. Moths and her own mind, pulled into a hundred pieces and flung out into the world.
I could clumsily explain the inescapable reality of prejudice that runs explicitly through Sarai and Lazlo's worlds.
And so Grief and Shame abided in adjoining rooms with the door shut between them, holding their pain in their arms instead of each other.
How it's a stark reflection of our own existences.
I could tell you these things. I could go into more detail.
But I won't.
Because like I said, some things are better read than described.
And it's not over.
Even though we're given the ending before the beginning, it's only the ending of one half of the story.
A dream to be continued.
All you have to do is fall asleep.
All you have to do is turn the first page.
Half tangled in the remnants of his dream, Lazlo was still seeing the wide blue eyes of the beautiful blue girl, and he was frustrated to have wakened and lost her so abruptly. If he could get back to the dream, he wondered, might he find her again? He laid the dead moth on the bedside table and fell back to sleep.
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As a swear-happy monster, this article made me happy.
Watching the cursing elite take down the puritans in the comments section.
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I love words created for a particular thing/situation.
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Cover art design for books is something I'm mildly obsessed with.
Be it traditional, digital, a mixture of both, it doesn't matter.
If it works, I want to know how.
Because look at it.
Uhm...
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Oh, the fanart.
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I've never taken a single lesson.
I have no great desire to change that.
And I've felt guilty and shamed over it since I turned seventeen.
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Mmmmmmnope, no thanks.
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I'm not, that's how.
I'd probably wet myself before I even got the engine started.
That fucker's terrifying.
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It's quite beautiful.
Swipe.
You must swipe it.
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I still know all the words.
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Brueggemann isn't making that desire any fucking easier with this adorable bullshit.
Maybe I can convince my sister to make me one...
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I don't think I can get over this.
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I don't even know if I ship this ship, but I am so here for the fanart.
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He just sits at the end of my bed and quietly ruins my life with his stubby appendages.
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Other people listen to ASMR, I watch watercolour watermelons.
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Already wanting to read something and then getting positive reinforcement from the people you follow is up there with surprise Pop Tarts and the sweet, weird pain of a split lip.
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The things you come to understand just by reading other people's stories.
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There's so much talent on the internet, it's making me mad.
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In a good way.
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Shallow as fuck.
But oh so pretty.
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