The sheer volume of Gideon and Harrow fanart I have stored up is pretty insane.
havin a little sit #costcomeshi pic.twitter.com/w34ZQ9R3HT
— genice @ anirevo A21 (@genicecream) June 17, 2024
beware what lurks within~#costcomeshi pic.twitter.com/wAVFBBVKyC
— Κ α΄ α΄ π (@tsulala) July 2, 2024
#costcomeshi doodles!π✏️π pic.twitter.com/Le05SCHaRG
— Κ α΄ α΄ π (@tsulala) July 4, 2024
γγ³γΈγ§γ³ι£―2ζζ₯½γγΏγ«ηγγπ₯³ pic.twitter.com/vDApNzo300
— π (@ramu_nerobe) June 13, 2024
Well alrightπ«‘ #dungeonmeshi #farcille https://t.co/y8i6xJmzNr pic.twitter.com/xuVSV6Fxq7
— Zkye || comms’ OPEN (@zkyeline) May 30, 2024
you are what you eat (????) pic.twitter.com/DBrl82QGaQ
— tt (@tan2w) April 20, 2024
Episode One: has its own frequency, like a tv left on standby, the hum from the refrigerator at midnight, moth-bothered porch lights in summer.
Low, expectant, unanswerable.
Like grief, I suppose.
Episode Two: am I immune to their fighting now? Because that shit was funny instead of goddamn traumatising.
Episode Three: oh wait, there’s the trauma, hi again.
Carmy’s different fight styles with everyone are so effortlessly and sympathetically done: Nat (sibling, childish but aggressive), Sydney (through gritted teeth, aware of losing her so can’t go too far but can’t concede the point), Ritchie (war).
Episode Four: “I don’t think it hurt yet.” - how can six words shred you alive?
Episode Five: John Cena as a Fak … *chef’s kiss*
“If you fuck with Marcus, I will murder you.” - Nat. The depths that I love this woman.
Episode Six: Tina. That’s all. Just Tina.
(Truly an ensemble show, no character left behind)
Episode Seven: I love the quiet episodes.
Episode Eight: π΅ Baby, I love you. Come on, baby. Baby, I love you.
Episode Nine: "Magic, at its best, has to be spontaneous."
Episode Ten: A stranger saying to Carmy, “it’s all about nurturing” is the most painful fucking thing.
I haven't seen the I'm sorry ASL all season and that burns; how did we get here?
“Every second counts”
Depression is fucking poison, it infects everything it touches, and there isn't even anyone to blame.
Says so much about whether being gifted at something is enough of a reason to do it when it causes you immense amounts of damage instead of joy.
For Carmy? Absolutely not.
For Sydney? Carmy's the damage.
...
This show.
This beautiful, wonderful, agonising show.
The number of reviewers I've seen complaining about this season's quality going down, the narrative being trapped within itself, and it lacking the chaos it was born from.
All of which I entirely disagree with.
To me, this is a vital season for the story and character's development, to see what they can cope with, what will spur them on, how they got here, where they'll potentially go.
Unearthing old hurts, bottling new ones.
Revelations and refusals.
We've had the noise, the anarchy, and now we're underwater: pressured, muted, isolated.
The Bear's always been subtle, it's just never been quiet, but it's deafening when it is.
And it's going to kill me to wait a year (maybe more) to see what volume we're set at next season.
Side note: I just fucking love the music on this beautiful fucking show.
It legit took until the last episode for me to get into this, a full eight episodes to realise that I love these idiots, they're the absolute worst, and I could watch them be awkward morons for ten seasons.
But it did take a whole season for that to happen, and I attribute this to the show being nothing like the movie, which was my frame of reference going in.
As with any adaptation, there's certain expectations, y'know?
I don't want a carbon copy but I do want the essence of the thing to stay true (see: Interview with the Vampire, which made a shit book/movie into a fucking masterpiece), which... the show... didn't?
But in a... good way?
Excuse the multiple ellipses, I'm figuring out how I feel as we go: which is helplessly confused and increasingly obsessed.
It was that last episode, it rewired my watching experience from perpetually hunching my shoulders in WTF, this is so awkward, why is it like this?! discomfort, to WTF, they're horrible and perfect for each other, and it's bloody amazing! unhinged, squeeing glee.
Quite the turn around, and a lot of it is due to my love for Donald Glover and Maya Erskine, two seriously funny people who slid into these toxic roles with the kind of ungainly confidence of putting on a wetsuit over damp skin: uncomfortable, close-fitting, will end in a temper tantrum of epic proportions.
Which doesn't sound all that appealing, does it?
But it is, it so is, but only if you can lean into how frustrating the Smiths are, how badly behaved they are, how fucking weird they are.
Then, and only then, will you get this show.
I almost didn't.
Thank fuck my freak matched its freak in the end.
Now, what's this I hear about them not coming back for season two?
Like... I see what you're going for and I don't hate the format, but...
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